ذیشان ساحل کی نثری نظم میں مکانیت، اشیا کی مظہریات،اور خاموشی کی جمالیات : ایک تجزیاتی مطالعہ

Abstract

This research article presents a phenomenological and geo-critical analysis of the aesthetic, spatial, and theoretical foundations of Zeeshan Sahil’s prose poetry, focusing on his collected works, Sari Nazmein. Diverging from the grandiose and cosmic metaphors of traditional Urdu poetry, Sahil’s poetic narrative eschews metaphysical claims, revolving instead around the phenomenology of ordinary objects, the brutality of urban landscapes, and the profound isolation of modern human existence. The paper investigates the phenomenology of objects, the 'aesthetics of silence', post-colonial urban spatial metaphors, and eco-critical tragedies. The study posits that Sahil’s poetry serves as an authentic, unconventional, and highly sensitive articulation of modern man's existential angst, alongside eco-critical and geo-critical realities, thereby elevating the prose poem from a mere structural experiment to a potent medium for communicating contemporary complexities.